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Auditions

Silence
by Moira Buffini

Rehearses November
Performs 3 weekends in December
Pay: stipend

Audition: August 16, 4-9pm, Boston Playwrights’ Theatre

To Audition:
Please prepare 1 contemporary monologue of your choice.

To request an audition time, please send an email with the subject “Silence Audition” with the following information:  Name, Role, Preferred time (4-5, 5-6, 6-7, 7-8, 8-9), Email, Phone.  We will reply with an audition slot.  Do not attach resumes or headshots.

info@ganemeed.org

Callbacks will be held on Tuesday, August 24, 4-9pm.  Scripts will be available to read in advance at the StageSource office.

Ymma – Noblewoman of Normandy.  Banished to England by her brother,  This role has been cast.

Agnes – Ymma’s servant.  Also from Normandy.  Ymma’s fate is her fate.

Silence – Lord of Cumbria. 14 years old.  Raised as a boy.  Discovers he is a girl on his wedding night with Ymma.  Auditioning young women ages 16-25.  All races and ethnicities are welcome.

Eadric – The King’s man.  Obsessed with Ymma.

Roger – A young priest.  Searching for truth.

Ethelred – King of England.  Spoiled rotten snake.

——————

If you have already submitted your information or auditioned for us, please keep us up-to-date on your career.  We prefer postcards, facebook, or twitter up-dates.

Email
info[at]ganemeed.org

SnailMail
GAN-e-meed Theatre Project
PO Box 551
Tyngsboro, MA 01879

1 comment to Auditions

  • Louis Johnson

    Dear Ms Roth: My name is Louis Johnson and I’m a Boston playwright. (Currently I’m on hiatus/visiting family/stuck in Nashville, Tn.) The reason I’m writing to you is that after having read your website and what you’re trying to do with female Boston playwrights, I was wondering if you would accept a play submission from a male writer? Although, I am male, I write more often than not from the female perspective. With that being said, let me get on with the introduction. For two years, I worked with Kate Snodgrass, director of the MFA-Theater Arts program at Boston University, in a mentorship program sponsored by ACT/Roxbury Consortium of Boston. For four years, I worked under the mentorship of the renowned African-American playwright, Ed Bullins, in a program which was also sponsored by ACT/Roxbury. ( I come with a letter of recommendation from the Executive Theater Director of the ACT/Roxbury Consortium, Candelaria Silva.) While working under Mr. Bullins’ tutelage, I composed a play entitled, “The Return of Cicero Walker”-a love story between two ex-convicts. An excerpt from this play tied for first place in Lyralen Kaye’s Another Country Productions’ Boston PlaySlam in November ‘03. Another of my plays, “Plain Brown (w)Rapper”-the story of an interracial couple who start a rap act, and hit it big, only to discover that fame and fortune has its price-was considered for production by Crystal Fields’ and her “Theatre for the New City” in New York but we were unable to procure the funds necessary for a full-fledged production. The play that I would like to submit is: “all meat/no bones”. It’s the tale of two women who lose their men only to find themselves in the process.

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