Auditions for Season 2011 will be announced on StageSource and here. We only accept headshots and resumes in response to audition posts.
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If you have already submitted your information or auditioned for us, please keep us up-to-date on your career. We prefer postcards, facebook, or twitter up-dates.
Email
info[at]ganemeed.org
SnailMail
GAN-e-meed Theatre Project
PO Box 551
Tyngsboro, MA 01879
Dear Ms Roth: My name is Louis Johnson and I’m a Boston playwright. (Currently I’m on hiatus/visiting family/stuck in Nashville, Tn.) The reason I’m writing to you is that after having read your website and what you’re trying to do with female Boston playwrights, I was wondering if you would accept a play submission from a male writer? Although, I am male, I write more often than not from the female perspective. With that being said, let me get on with the introduction. For two years, I worked with Kate Snodgrass, director of the MFA-Theater Arts program at Boston University, in a mentorship program sponsored by ACT/Roxbury Consortium of Boston. For four years, I worked under the mentorship of the renowned African-American playwright, Ed Bullins, in a program which was also sponsored by ACT/Roxbury. ( I come with a letter of recommendation from the Executive Theater Director of the ACT/Roxbury Consortium, Candelaria Silva.) While working under Mr. Bullins’ tutelage, I composed a play entitled, “The Return of Cicero Walker”-a love story between two ex-convicts. An excerpt from this play tied for first place in Lyralen Kaye’s Another Country Productions’ Boston PlaySlam in November ’03. Another of my plays, “Plain Brown (w)Rapper”-the story of an interracial couple who start a rap act, and hit it big, only to discover that fame and fortune has its price-was considered for production by Crystal Fields’ and her “Theatre for the New City” in New York but we were unable to procure the funds necessary for a full-fledged production. The play that I would like to submit is: “all meat/no bones”. It’s the tale of two women who lose their men only to find themselves in the process.